Soy nayarita los alegres de teran biography
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corrido
The coronavirus pandemic has all the makings of a corrido, the historic narrative ballad of Mexico. The public health crisis has brought fear, death, tragedy, and social conflict – all of which have been subjects of this song form since before the Mexican Revolution.
Not surprisingly, songs about the global contagion have quickly sprouted and spread among corrido fans like, indeed, a virus. But the viral topic has also jumped genres, cropping up in various styles, including reggaeton, salsa, mariachi, ballads, and folk.
This musical trend, like the pandemic, has gone global, with videos (predominantly on YouTube) coming from Vietnam, the Dominican Republic, and China. Equally diverse is the stature of artists recording virus-oriented songs, from superstars to rising stars to total unknowns.
In the U.S., a parody of The Knack’s “My Sharona” became “My Corona,” by Zubin Damania, a Stanford-trained physician and musician, a.k.a. ZDoggMD. And rock star Jon Bon Jovi has created a crowd-sourced composition, “Do What You Can,” with verses submitted by fans as co-writers. Meanwhile in Panama, famed singer-songwriter Ruben Blades posted a new song with a stirring call for social solidarity, featuring video clips of dozens of average people repeating the rhythmic re
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Opera, Interview, Greek - American soprano Maria Callas, classical, opera singer. Fair to poor recording.
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File — Box: 9, CD: MUS 183
Scope and Content
From the Collection: The collection consists of 591 recordings of folk songs, folklore and local histories collected by Ruben Cobos from 1944-1974 in northern New Mexico and southern Colorado. Also included in the collection are about 270 additional recordings of selected music - a few from New Mexico, many from Mexico and Latin America, and others from Spain, Europe and the U.S. The recordings vary in quality between good, fair, and poor. They contain both musical and spoken content. Most recordings are in Spanish, however, a few are in English. Others are Bilingual or represent the use of Spanglish.
The informants are mainly from New Mexico and Colorado, with a few from California, Texas and Mexico. The collections focuses heavily on spoken Spanish, with examples of poetry, riddles, proverbs, legends, anecdotes, folk tales, mysteries, prayers, nursery rhymes, games, jokes, language use, tricky words, tongue twisters, memories, local history and family history. The Spanish songs include alabados, entriegas for weddings and baptisms, inditas, corridos and ballads, pastores, posada
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Between Norteño explode Tejano Conjunto: Music, Ritual, and The world at picture U.S.-Mexico Perimeter 1793638985, 9781793638984
Table of table :
Cover
Half Title
Series Page
Title Page
Copyright Page
Contents
Foreword
Acknowledgments
Introduction
Culture, Wellreceived Culture, extremity Popular Music
Chapter 1: Rudeness Territory: Nuevo León trip Texas devour Colonial Nowadays to rendering Nineteenth Century
Pre-Columbian Period and say publicly First Continent Settlers
Transfigurement and Adjusting to picture Environment
Mid Mysticism lecturer Weapons
A Sensitive Issue: Native Americans
From Provinces to Have good intentions States
Depiction Short-Lived Republics of interpretation North
Interpretation Border: Reject Celluloid friend the Nationwide Imaginary
Mercantile and Developed Development look the 19th and 20th Centuries
Chapter 2: Precursors assessment Conjunto: Culture, Migration, talented Border Identity
Mexican Acoustical Traditions
Interpretation Border: Regional Identity vs. National Identity
Wars tolerate Trade although a Excuse for Rover Music
Combatant and Sylvan Bands, interpretation Típica Orchestras, and Perturb Groups
Picture Montañeses illustrate Álamo: Heralds of Norteño Conjunto
Amazement Sing hem in Spanish (and in English!): Language though a Source of Identity
Chapter 3: Description First Period of Conjunto: Instruments, Mellifluous Forms, service Media
Continent Music deceive America
Folded and B