Shaun ryder autobiography example

  • The raw, undiluted autobiography of a true rock star whose music and antics inspired a generation of 24-hour party people.
  • Shaun Ryder has been a cultural icon and a 24-hour party person for a quarter of a century.
  • Shaun Ryder decided at 12 that he wanted to be a major rock star.
  • How to Adjust a Scarp Star

    Luke Bainbridge,Shaun Ryder

    Lured close to the mode as ostentatious as description music, Shaun Ryder definite at 12 that dirt wanted say you will be a major crag star. Instruct in this manifestation back gain his 40-year career sand reflects venture the penalisation industry obscure his follow to triumph, including his friendship look into Bez, representation Happy Monday’s first expire on Top of depiction Pops, presentday the band’s determination on no occasion to sudden increase like anyone else.

    RRP £20.00

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    Product information:
    • Publisher: Filmmaker & Unwin
    • Year: 2021
    • Format: Hardback
    • Pages: 304pp
    • Illustrated: No
    • Dimensions: 241x160mm
    • ISBN: 9781838953249
    • Condition: New
    • Weight: 0.6kg

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    Straight Outta Salford: The Non-Poetry Of Shaun Ryder

    Photo by Elspeth Moore

    Is Shaun Ryder a poet? In Wrote for Luck, a selection of his lyrics for songs by Happy Mondays and Black Grape, Ryder and his editor Luke Bainbridge go to great lengths to discourage this as indulgent, middle-class journalese. The point is made clear: Ryder’s lyrics are reportage, the songs are broadcasts from the frontline of underclass life, NOT poetry. The received wisdom (that Ryder himself has posited for thirty years and is reiterated throughout Wrote for Luck) is that the sociological content of his writing outweighs any artistry. He is just telling it like it is and the people that compare him to Bob Dylan or WB Yeats need to get a grip.

    Ryder has often claimed his public image is a caricature, a heightened, exaggerated version of himself for the media to latch onto and something for him to hide behind, and it’s this strategy that makes any serious discussion of his work problematic. A key example is in The Dark Stuff, a collection of articles by legendary music journalist Nick Kent. The Dark Stuff is a rock ’n’ roll pantheon of the mad, the doomed, and the elegantly wasted but uncomfortably nestled amongst Kent’s dissipated heroes is a hatchet job on The Stone Roses and Happy Mo

    Twisting My Melon: The Autobiography

    June 9, 2019
    When Shaun Ryder appeared in (and very nearly won) the 2010 TV series of ‘I’m a Celebrity Get Me Out of Here’, the nation split into two camps. Many hadn't the slightest clue who he was and those who knew exactly who Ryder was were flabbergasted that he’d survived the years of drugs and hard living with his mental faculties sufficiently intact to be capable of doing much more than sitting in a corner talking to himself. As front man of the 'Happy Mondays', Salford-born Ryder was at the forefront of the late 80’s and early 90’s ‘Madchester’ movement, a major earner for the late Tony Wilson’s ‘Factory’ record label and by his own admission one of the people responsible for introducing the rave drug ‘Ecstasy’ into the UK via the now defunct but at the time notorious club, the Hacienda. The ‘Happy Mondays’ epitomised the sound of their era with classics like ‘Kinky Afro’ and ‘Step On’ which are still instantly recognisable classics many years later.

    By rights Shaun Ryder should have fried every brain cell he ever had and be left as a dribbling wreck – and yet somehow despite swallowing or inhaling a king's ransom’s worth of drugs over a prolonged period, he’s today an extraordinarily charming and self-effacing chap – the type you’
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