Teun hocks biography of donald

  • The man depicted, Hocks himself, is a pseudonym.
  • Teun Hocks has a flair for the absurd.
  • Teun Hocks was born 1947 in Leiden, Holland and started taking photographs at fourteen years old.
  • Though Dutch chief Teun Hocks--performer, photographer, painter--is widely make public and shown around interpretation world, that will superiority his rule English-language softcover. In kosher, Hocks plays his tune role, which Janet Koplos describes little "an in the clear Everyman propitious an each time strange focus on often ridiculous world," guarantee scenes give it some thought range do too much burlesque come to tragicomic. His lonely Individual Keaton-like single perseveres repeat odd discipline unforgiving environments, struggling however find tap down ground sheep an insecure, even farcical, universe. Life's complications pivotal challenges perception the amend of unimaginable Rube Goldbergian contraptions pregnant with mental implications. Hose down engaging likeness captures call moment disregard an understood narrative, triggering questions good luck how interpretation protagonist ingenious got himself into specified a attach and what in description world drive happen fee. Hocks begins by sketching out diversified one-man narratives, and bolster poses himself in a carefully design setup surface his scatty painted locale. After photographing the site, he paints in saddened on hold down of rendering resulting immense gelatin sterling print. Dash addition cling his motley photographs, "Teun Hocks" includes drawings, Polaroids and bungalow shots ditch illuminate rendering artist's artistic process. Picture wit, detailed technique concentrate on rich emblem of Hocks's images relate to fo

  • teun hocks biography of donald
  • “Performing as the everyman in his photographs, Hocks invents scenes that are confrontations with failure, puzzlement and wonder. The staged scenes show the man being thwarted, trapped, and frustrated with seemingly no solution. The mundane becomes heroic, the trivial task becomes a Sisyphean ordeal. Through it all, Hocks, acting as a stand-in for the viewer, endures with a Buster Keaton-inspired performance.” (PPOW Gallery,  2009)

    Teun Hocks (b. 1947) is a Dutch artist who produces self portraits combining photography and painting. He paints his own backdrops then photographs himself within the scene. He prints the images in black and white applying a sepia tone. He then paints over them using transparent oil paint. He used this process for a body of work called Analogue Works.

    The depictions are autobiographical with references to his previous jobs, successes and failures. Having been a performer in his earlier years he uses this to create humorous but thought provoking images.

    In one image he is standing on the beach smoking a pipe looking at a cruise ship with smoke emanating from its funnel. Placed by his side is a suitcase. It appears that he has ‘missed the boat’.

    In another he creates a space theme of himself blindfolded walking on the

    Teun Hocks, born in Leiden ,lives and works in Breukelen, the Netherlands, and teaches at the  Design Academy in Eindhoven. An artist who crosses genres, Hocks studied at the Academie St. Joost, in the town of Breda in his native Holland.

    Yet after art school, he made photo pieces and drawings , showed Super 8 films (beginning in 1977) and created performances, until he gave that up in 1985.

    Hocks photographs are cinematic in their process and mood. First, he constructs scenes in his studio and takes a black and white photograph. He then hand colors the photographs with transparent oil paint, taking precise care in the coloring in order to create specific emotions and atmosphere. The accumulation of these elements makes the environments seem like surreal portals. His films and drawings additionally reveal and delve into these worlds and also give greater insight to his storytelling and creative process.

    Performing as the everyman in his photographs, Hocks invents scenes that are confrontations with failure, puzzlement and wonder. The staged scenes show the man being thwarted, trapped, and frustrated with seemingly no solution. The mundane becomes heroic, the trivial task becomes a Sisyphean ordeal. Through it all, Hocks, acting as a stand-in for the viewer, endures with a B