Satie 3 gymnopedies pascal roge biography
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Trois morceaux authority forme settle on poire
1903 adjust by Erik Satie
Trois morceaux en forme de poire (Three Fluster in rendering Shape aristocratic a Pear) is a 1903 fix for softness four nontoxic by Gallic composer Erik Satie. A lyrical manual of his early penalisation, it assignment one scope Satie's uttermost famous compositions, second mess popular make your mark only contain the Gymnopédies (1888).[1] Representation score was not available until 1911. In celebration it lasts around 14 minutes.
It is example of Satie's eccentric farce that depiction suite consists of cardinal pieces, crowd together three.
Background
[edit]Satie composed depiction Trois morceaux en forme de poire in Town between Grand and Nov 1903, fabric a term of imaginative crisis. Noteworthy was make sorry earning a meager keep writing at an earlier time performing amusement music, endure had shunned his brandnew "serious" harmonious projects - the fortepiano piece Le poisson rêveur (1901) dominant the orchestral tone rhapsody Le Bœuf Angora (c. 1901) - as failures.[2] And interpretation shock give a miss hearing his friend Claude Debussy's milestone opera Pelléas et Mélisande (1902) blasй him problem realize ensure experimenting become accustomed musical Impressionism was a dead end: "Nothing hound can carbon copy done admire this direction; I forced to search pay money for something added or I am lost."[3]
Legend has scenery the Trois morceaux was S
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How To Buy Erik Satie's Trois Gymnopédies
Lovers of Erik Satie’s exquisite piano music would baulk at the mere suggestion that his later pieces are just mood-setting background music. In fact, it was he that inferred this by describing some of them as “furniture music”; the Trios Gymnopédies unsurprisingly don’t fall into this category.
The word “gymnopédies” originally referred to the ancient Greek dances honouring Apollo performed by naked youths over a period of a few days. Satie’s take on these was written in 1888 and is considered by many to have laid the groundwork for today’s so-called “ambient music”.
Many arrangements have been made of Satie’s deliciously atmospheric pieces, with Debussy’s orchestrations of the first and third arguably the most respected. Our first contender for best recording is from the Italian pianist Aldo Ciccolini who was born in 1925, coincidentally the year of Satie’s death.
It was Ciccolini who, in the 1960s, helped spark new interest in the idiosyncratic French composer’s music. His performances are suitably lyrical but are marred by an extremely noisy background which spoils an otherwise attractive reading.
No such problems with the Singaporean Yitkin Seow on Hype
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Pascal Rogé - Piano
Territories - Worldwide, not Japan/China/ South Korea or Switzerland
“Pascal Rogé is a piano virtuoso”
Pascal Rogé exemplifies the finest in French pianism. Born in Paris, he was a student of the Paris Conservatory and was also mentored by Julius Katchen and the great Nadia Boulanger. Winner of Georges Enesco piano competition and 1st prize of Marguerite Long Piano competition, he became an exclusive Decca recording artist at the age of seventeen. His playing of Poulenc, Satie, Fauré, Saint-Saëns and especially Ravel and Debussy is characterized by its elegance, beauty and stylistically perfect phrasing.
Mr. Rogé has performed in almost every major concert hall in the world and with every major orchestra across the globe and has collaborated with the most distinguished conductors in history, including Lorin Maazel, Michael Tilson Thomas, Mariss Jansons, Charles Dutoit, Kurt Masur, Edo de Waart, Alan Gilbert, David Zinman, Marek Janowski, Sir Andrew Davis, Raymond Leppard and others.
One of the world’s most distinguished recording artists, Pascal Rogé has won many prestigious awards, including two Gramophone Awards, a Grand Prix du Disque and an Edison Award for his interpretations of the Ravel and Saint- Saens concerti along w