Lois maxwell biography
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MI6
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Lois Maxwell
filmography
FILM
The Fourth Angel () with Jeremy Irons, Forest Whitaker, Jason Priestley, and Charlotte Rampling
Hard to Forget () with Chad Everett
Lady in the Corner () with Loretta Young, Brian Keith, and Bruce Davison
Martha, Ruth & Edie () with Andrea Martin
Rescue Me () with Ted Shackelford
A View to a Kill () with Roger Moore, Christopher Walken, Tanya Roberts, Grace Jones, Patrick Macnee, and Desmond Llewelyn
The Blue Man () with Karen Black
Peep () with Donald Harron
Octopussy () with Roger Moore, Maud Adams, Louis Jourdan, and Desmond Llewelyn
For Your Eyes Only () with Roger Moore, Topol, Lynn-Holly Johnson, and Desmond Llewelyn
Mr. Patman () with James Coburn and Kate Nelligan
Lost and Found () with George Segal, Glenda Jackson, Maureen Stapleton, Hollis McLaren, Paul Sorvino, and John Candy
Moonraker () with Roger Moore, Lois Chiles, Richard Kiel, Corinne Clery, Bernard Lee, and Desmond Llewelyn
The Spy Who Loved Me () with Roger Moore, Barbara Bach, Curd Jurgens, Richard Kiel, Caroline Munro, Bernard Lee, George Baker, and Desmond Llewelyn
Age of Innocence () with Honor Blackman
From Hong Kong with Love () with Mickey Rooney, Clifton James, and Bernard Lee
The Man with the Gol
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by Pete Stampede
Lois Maxwell would still have had a recognisable film niche, adding an edge of transatlantic sophistication to some pretty routine 's British second features, before, as David Quinlan put it, "her warm personality was always welcome, if somewhat wasted, playing Miss Moneypenny in the James Bond films." (Don't get me started on how over-rated I think the Bond films are, I actually prefer most of the rip-offs of that genre to the clunking, overlong, sexist opuses themselves. For years I've been claiming that any episode of The Avengers is superior to any Bond, an opinion I've yet to revise.) Born in Canada in , she rather surprisingly appeared in several Italian ventures in the 's, including an unconvincing version of Aida () starring Sophia Loren. But she first came to attention at a time when Canadian performers seemed to represent something exciting to austere, postwar Britain, judging by the success in all media (especially radio and the nascent television scene) of husband and wife presenters Bernard Braden and Barbara Kelly, smarmy game show host Hughie Green and actor Paul Carpenter, amongst others. An early film of Maxwell's, Corridor of Mirrors (), also saw Christopher Lee's film debut.
One of her B movi