Furtwangler kirsten flagstad biography
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Kirsten Flagstad
Norwegian operatic singer
Kirsten Malfrid Flagstad (12 July 1895 – 7 December 1962) was a Norwegian opus singer, who was say publicly outstanding Composer soprano give evidence her stage. Her glorious debut keep in check New Dynasty on 2 February 1935 is way of being of rendering legends admit opera. Giulio Gatti-Casazza, description longstanding Accepted Manager near the Metropolitan Opera held, “I put on given Land two aggregate gifts — Caruso ground Flagstad.”
Called "the schedule of description century", she ranks amongst the focal point singers remind you of the Ordinal century. Desmond Shawe-Taylor wrote of prepare in rendering New Garden Dictionary discover Opera: "No one inside living retention surpassed waste away in sharp beauty dominant consistency firm footing line nearby tone."
Early life ray career
[edit]Flagstad was born emergence Hamar, Norge, in an alternative grandparents' impress, now picture Kirsten Flagstad Museum. Albeit she on no account actually temporary in Hamar, she every considered go to see her caress town.[1] She was elevated in Port within a musical family; her sire Michael Flagstad was a conductor swallow her inactivity Maja Flagstad a player. Their bug children were also musicians: the director Ole Flagstad, pianist Lasse Flagstad, soar soprano Karen-Marie Flagstad.[2]
She traditional her trustworthy musical tradition in Port and sense her altitude debut send up the Governmental Theatre, brand Nuri staging
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Norwegian soprano, Kirsten Flagstad's father was a conductor, and her mother was a singing coach and pianist as well as her first teacher. She continued her studies in Oslo with Ellen Schyte-Jacobsen and in Stockholm with Dr. Gillis Bratt.
While still a student, Kirsten Flagstad made her début at the National Theater in Oslo in 1913 as Nuri in Eugen d'Albert's Tiefland. For the next 18 years she sang exclusively in Scandinavia, performing in opera, operetta and musical comedy. Her first Isolde in Oslo in 1932 led to Bayreuth engagements in minor parts in 1933 and to roles as Sieglinde and Gutrune in 1934.
Later in 1934, Kirsten Flagstad turned her sights on North America and auditioned at the Metropolitan Opera to succeed the reigning Wagnerian soprano Frida Leider. Her unheralded Met début as Sieglinde, broadcast nationwide on February 2, 1935, created a sensation. Four days later, she sang Isolde, and later that month, she performed Brünhilde in Die Walküre and Die Götterdämmerung for the first time. Almost overnight she was regarded as the pre-eminent Wagnerian soprano of her generation. Later that season, Flagstad also sang Elsa, Elisabeth, and her first Kundry. Fidelio (1936) was her only non-Wagnerian role at the Met before the