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  Facing Boundaries: Identity and Authority in South American Portraiture, 1750-1824

  Related papers

  The Other’s Other: Portrait Photography in Latin America, ca. 1890–1930

  Juanita Solano

  Beyond the Face: New Perspectives in Portraiture, 2018

  Photography, a medium characterized by its alleged transparency and objectivity, became the principal symbolic device to capture and conceal identities since its invention in 1839, and portraiture, therefore, played perhaps the biggest role in the configuration of the medium. In Latin America, the invention of photography, and its early arrival to the continent in December of that same year, coincided with post-independence political processes and discourses. As opposed to the European experience, where national consolidation and an established visual imaginary existed prior to the invention of photography, in Latin America the medium developed during the processes of nation building in the postcolonial period and, in many cases, before the consolidation of Fine Art Academies. Therefore, the photographic image played a crucial role in the definition of identities, which were different from and specific to each geographical area. Any attempt to homogenize, or rather to trace, a distinctive character of what Latin American photography was,

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