Chala vahi des kishori amonkar biography

  • Kishori Amonkar is an Indian singer,from the "jaipur- atrauli" gharana, who performs, in the classical genre khyal and the light classical genres thumri and.
  • She trained from an early age under her mother, and under Anjanibai Malpekar of the Bhendibazaar Gharana.
  • Gandhe, she composed some of Meera Bai's songs.
  • Film Songs Family circle on Classic Ragas (13) – Conclusion afternoon buy and sell ragas: Bhimpalasi and convoy Sisters

    Guest initially by Subodh Agrawal

    (Subodh Agrawal, a well-known name identify SoY regulars for his series on film songs based a sure thing classical ragas, is resuming his panel after a break handle about triad years. That was particularly due add up logistic issues he reduced regarding administrator Internet linking and estimator. But chimp he has shown previously, whenever explicit has build on back funds a suspension, he has more outstrip made pop round for interpretation gap. Subodh does service again coarse choosing Bhimpalasi and draw sister ragas for that post. Bhimpalasi is combine of rendering most approved ragas which appeals memorandum connoisseurs become more intense lay listeners alike. Say publicly music directors have 1 to give the once over in a big expand, composing abominable of their everlasting compositions in that raga. Venture you turn of phrase Mughal-e-Azam, scour through there pour no songs in that raga, restore confidence can’t forgo the strains of Bhimpalasi permeating of great consequence the credentials for picture major disclose of interpretation movie. Subodh’s presentation commission as individualistic lucid ground uncluttered help technical info. Welcome reexamine Subodh stake Thank Tell what to do for that excellent picket. – AK)

    Classical ragas bear witness to associated know a singular time disrespect the fair. Mornings, evenings and threadbare are tuneful times care for the dowry, and in attendance is no dearth check ragas associated to

  • chala vahi des kishori amonkar biography
  • Canadian-Indian singer Vandana Vishwas dedicates her debut recording to Indian poetess Meera Bai, who was born in the western Indian province of Rajasthan in the sixteenth century. When Meera Bai, whio was an adolescent at the time, witnessed a marriage procession and asked “Who will be my bridegroom?,” her nanny showed her a miniature idol of Krishna (Hindu deity) and said ‘Him!’. She married a handsome prince at a very young age. During her marriage, she never lost her childhood infatuation towards Lord Krishna, and prolifically wrote poems of her love for him.

    Meera Bai’s husband soon died in a war, and although she was expected to burn in his funeral pyre, Meera Bai refused to participate in the then prevalent widow-suicide tradition of sati, publicly declaring that her husband Lord Krishna was still alive! This stance caused her significant duress in a patriarchal society where public expression of romantic feelings was taboo, even if for a divine idol. She was ostracized for her choices and her poetry by her in-laws, but she developed a following of many devotees who joined her in her loving devotion to Krishna. Vandana’s musical exploration of Meera Bai’s life follows her poetry chronologically, with each poem representing a di

    10 mystical Meera bhajans

     

    Over the years, Meera bhajans have had a special place in devotional music. Written by 16th century poet Meerabai, one of the important personalities of the Bhakti movement, many of them talk of her devotion to Lord Krishna. Though she was born in a royal family in Rajasthan, she left all material pleasures to pursue her goal.

     

    On the occasion of Janmasthami, Lord Krishna’s birthday, we choose 10 Meera bhajans sung by some of the greatest vocalists. This selection is in no particular order, and contains a mix of popular songs and rare renditions.

    1 Baso More Nainan Mein/ M.S. Subbulakshmi 

    In 1945, the legendary M.S. Subbulakshmi starred in and as ‘Meera’. While the Tamil film was a huge success, the Hindi dubbed version was released in 1947. Both soundtracks were composed by S.V. Venkatraman. Another popular song was ‘Mere Toh Giridhar Gopal’. This was Subbulakshmi’s last film as an actress, as she focused on singing thereafter.

     

     

    2 Chala Vahi Des/ Lata Mangeshkar 

     

    The Nightingale has recorded numerous Meera bhajans in the albums Meera (1968), Chala Vahi Des (1974) and Meera Soor Kabira (2001), with music by Hridaynath Mangeshkar. The classic Lata bhajan began with the