Arnaldo roche rabell biography channel
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In this essay, Julián Sánchez González discusses three works by Arnaldo Roche Rabell, Belkis Ayón, and Purvis Young through the lens of shamanism as a cultural practice. By considering these artists’ spiritual interests, Sánchez González borrows from comparative religious studies and anthropology to open up new methodological avenues for art history. Examining the parallel visual strategies deployed in these works from PAMM’s collection, Sánchez González analyzes these artists’ interest in the otherworldly and supernatural as a way to supersede their immediate sociopolitical contexts and reflect on the contemporary human condition.
As the art historical field further incorporates non-hegemonic and non-Western perspectives into its discourses, our understanding of the artist’s creative process has also expanded to include the spiritual realm as a legitimate and productive field of study. Indeed, the reclamation of Indigenous and Afro-diasporic cultures and spiritualities in past decades has given way to an increased decentering and decolonization of the discipline. With roots in contemporary intellectual thought and following this epistemic shift, this paper investigates the theoretical and interdisciplinary links between artistic and spiritual practices in contemporary
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Arnaldo Roche Rabell (1955–2018)
Arnaldo Roche Rabell, the oil painter widely considered to be one of Puerto Rico’s most significant artists, died yesterday at age sixty-two. The cause was lung cancer, according to Walter Otero, whose gallery represents the artist. In the 1980s, Roche Rabell gained international recognition for his textured, sensual figurative neo-expressionist canvases, which resulted from complicated layering techniques. In his works, he often grappled with the themes of memory, political turbulence, and consciousness, as well as the medium of painting itself.
Born in 1955, Roche Rabell trained under Lope Max Díaz at the Luchetti School of Art in San Juan before studying architecture at the University of Puerto Rico and art at the Art Institute of Chicago, where he was influenced by Ray Yoshida and Richard Keane. Roche Rabell became known for his frottage and grattage portraits, whose processes engaged both tenderness and brutality, absence and presence, and sight and touch. “I could not tell you whether part of my conscious or unconscious comes to life in these processes,” he once said. “It is the physical act of painting that . . . ratifies the urgency of my ideas, connecting all the actual elements I rub, print or proje